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Nazaré skatepark tour

Our mission to skate every skatepark continues. This time we went to Nazaré, a village in the West Portugal coast, known worldwide for its giant waves. To honour that legacy and prestige, the local skatepark features a handmade concrete wave. You don’t find anything like this in the rest of the country.

While elderly woman display long stalls of dried fish, waiting for the sun to do its work (the same fish their husbands, brothers and sons caught in the Atlantic Sea); while surfers are keen to surf the famous giant waves in Praia do Norte, an achievement only for the brave; while tourists save moments for eternity by taking pictures in the promontory O Sítio; while locals and outsiders enjoy the seafood, the Trucks and Fins crew proved that Nazaré is a place to skate as well.

After leaving the Pousada da Juventude in Alfeizerão with its rural landscape and family of sheep behind, we went straight to Nazaré Skatepark to check out the vibe and a special feature: a concrete wave of 2,20 meters, which makes this small, but fun park, unique.

“There’s no other like this in Portugal”, says João Sales, chairman of Wasteland Skateparks, responsible for Nazaré Skatepark’s profound renovation in 2014. “Once we were in Nazaré, we thought it would make sense to invite surfers to skate this park. I was inspired by a park in the Basque Country in Spain, which has this special characteristic. It’s totally handmade, the concrete was placed manually, and it turned out to be something between vertical and inverted. It’s a 2,20-meter wave, something really cool”, he adds.

This was one of the first public skateparks built by Wasteland Skateparks. Building is not really the right word; adapting is the one. “There was a previous park here. The actual mayor, Walter Chicharro, who decided to develop sports activities in Nazaré, asked us to renovate the park with a small budget. We did that”, João Sales proudly remembers, explaining why he had to build small ramps on the bottom side of the park: “There’s a wall and a parking lot. We always must adjust to the surroundings.”

Nazaré Skatepark was not made for big crowds. It fits about 15 riders at the same time, and you can skate three possible lines by exploring the quarterpipes, the delta, the spine, and other street obstacles. Some improvements are needed, though, João Sales acknowledges this. “It’s more a bureaucracy issue, but because we have a big affection for this park and for the local skaters, sometimes we come here to fill some concrete holes and to fix the rails”, says the Wasteland Skateparks’ chairman.

This park has one major plus point: its astonishing location. Going to this village in the Silver Coast of Portugal is a full experience. Even better with a skateboard.

Visit Nazare skatepark Find out more about Wasteland skateparks

By Manu Silva

Rom Skatepark: The Rise, Fall, and Legacy of the UK’s Most Iconic Concrete Playground

Rom Skatepark: Born from a California Dream (1978) Picture this: it’s the late ’70s, skateboarding is booming, and a crew of Brits decide to bring a slice of SoCal to rainy East London. In August 1978, Rom Skatepark opened in Hornchurch – a purpose-built concrete paradise modelled after the radical skateparks of California like Spring Valley’s Skateboard Heaven​. Designed by legendary skatepark architect Adrian Rolt of G-Force, Rom was Britain’s answer to the West Coast scene. It had that sun-baked “California vibe” despite the English drizzle, quickly becoming hallowed ground for UK skaters looking to carve some concrete waves on home turf. Concrete Waves and Radical Features The iconic keyhole-shaped “Pool” bowl at Rom was even finished with mosaic tiles and real pool coping, just like a backyard swimming pool​. It was one of many gnarly features spread across Rom’s 8,000 square meters of rideable terrain. Rom pretty much had it all: a winding snake run, a long slalom run ending in a freestyle bowl, a four-leaf clover bowl, a cluster of moguls (interlinked mini-bowls), a concrete half-pipe, and a massive “Performance” bowl modeled after California’s famous Paramount VertiBowl​. Every inch was sculpted in smooth, fast shotcrete, so you could flow from one obstacle to the next. One minute you’re dropping into a deep twin-lobed pool, the next you’re bombing through a serpent-like snake run that gets deeper as you go – pure 70s skatepark bliss under your feet. Skaters, BMXers & WCMX – All Wheels Welcome From Day OneRom was a melting pot for anyone who loved to shred. Skateboarders ruled the bowls, but as the 80s rolled in, BMX riders flocked to Rom’s concrete like bees to honey. The park’s design was perfect for BMX too – big transitions and smooth lines meant bikes could fly (literally). In fact, Rom’s survival through the ’80s skate slump owed a lot to BMXers taking over the place​. By the 90s and 2000s, you’d see skaters and BMXers riding side by side, and later even WCMX athletes (wheelchair motocross riders) dropping in to spin around the bowls. For the locals, Rom was more than just a park – it was a second home. Generations of UK shredders made the pilgrimage to Hornchurch, and some of the country’s best got their start here – UK BMX champion Andy Ruffell basically learned to ride at Rom back in the day​. The vibe was always friendly and raw: kids, teens, adults, pros – whatever you rode, you were welcome as long as you respected the park (and watched out for the occasional face-off with the concrete!). Ups, Downs, and a Historic Comeback Like any legend, Rom had its ups and downs. The park opened at the tail end of the 70s skateboarding boom, and when that initial craze fizzled out, Rom almost went belly up. By 1979 many UK skateparks were closing their doors, but Rom hung in there. Thanks to that, Rom outlived most of its peers – by the early 2000s it was one of only two surviving original 70s skateparks in the UK (the other being Harrow)​. As skateboarding found a second wind in the 90s and 2000s, Rom thrived anew with fresh blood and old school cred. Its reputation grew beyond the local scene, and eventually the history books caught on. In 2014, Rom made history when it became the first skatepark in Europe to be given Grade II listed status – officially protected as a heritage site​. (In fact, at the time it was only the second skatepark ever to get such status worldwide, after Tampa’s Bro Bowl in the USA​. This was the ultimate validation: the “dead” skatepark of yesterday was now recognized as a cultural treasure. Overnight, Rom wasn’t just a grungy local spot – it was a bona fide landmark in skate culture, its gnarly concrete frozen in time for future generations to appreciate. Fire and Farewell (2018–2019) No true skate epic is complete without some tragedy. Just after celebrating Rom’s 40th birthday, disaster struck. In the scorching summer heatwave of July 2018, a devastating fire ripped through the park’s indoor section, burning down the beloved clubhouse and indoor ramps​. The concrete outdoor elements survived (they’re practically indestructible), but losing the indoor facilities and equipment was a massive blow. The community rallied and hopes were high to rebuild – fundraising events, volunteer support, you name it. But mounting financial pressures (skyrocketing insurance and bills) piled on. After a valiant fight, Rom finally had to close its doors in September 2019, ending an incredible 41-year run​. It was a heartbreaker for everyone who grew up at the park. Despite its Heritage Listed status, and all its legendary history, the reality of upkeep and costs caught up. The last sessions were filled with bittersweet tears and one final carve around the snake run. The lights went out on Rom as an active skatepark, at least for the time being. Rom’s Lasting Legacy Though Rom Skatepark is closed, its legacy is far from gone – in fact, it’s cemented in UK skate culture (pun intended). The park remains intact and protected, standing quietly as a concrete museum of 1970s skate design. Skaters and BMXers still speak of Rom with reverence, and its influence can be seen in modern skateparks built during the skate revival – many new parks took inspiration from Rom’s timeless layout and flow​. In official terms, Rom is recognized as an “icon of the British skateboard scene”, an enduring piece of late-20th-century youth culture​. But beyond the titles and heritage certificates, Rom lives on in the memories and stories of those who rode its curves. They even made a whole documentary about it – “Rom Boys: 40 Years of Rad” – celebrating the park’s history and the community that kept it alive​. To this day, if you meet a veteran UK skater or BMXer and mention Rom, chances are you’ll spark a big grin and a flood of nostalgic tales: epic trick sessions in the Performance Bowl, summer comps on the half-pipe, or just hanging out on the deck with mates until the sun went down. Rom Skatepark may be gone as a business, but its spirit rolls on – in every backyard pool session, every DIY concrete bowl, and every rider carving lines with that same carefree stoke Rom inspired for decades. The legend of Rom will never die, because in the skate world, true icons are forever. Visit Rom skatepark on skate map

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Royal Oak Skatepark: One of London’s Grittiest Skate Spots

Royal Oak Skatepark: Where Legends Are Made and the Air Ain’t Fresh If you’ve skated London, you know about Royal Oak, aka Meanwhile 2. Tucked under the Westway on Harrow Road, this park has been a part of UK skate culture since the late ‘70s. It’s got history, it's got grit, and yeah, it often smells like piss, but that just adds to the vibe.The Infamous gapRoyal Oak’s main attraction is its legendary twin halfpipes with that infamous gap in between. In 1987, Mark Gonzales straight-up changed the game when he boosted a frontside ollie over it. If you’re looking for a piece of skate history, this is it. Over the years, more features have been added—flat banks, ledges, a pyramid hip, and a bowl corner—giving the park a mix of old-school transitions and modern street elements. The best part? It’s undercover. No matter the weather, Royal Oak is skateable year-round, making it a go-to for London skaters dodging the rain. Beyond Gonz, this place has been a proving ground for countless skaters. You’ll see raw UK talent coming through daily and making the most out of the crusty concrete. Filming a line here means dealing with random drunks, busted pavement, and the occasional police stop—but that’s all part of the experience. The park has hosted legendary sessions, and if you’re lucky, you’ll catch visiting pros dropping in unannounced. With London’s skate scene growing, Royal Oak remains a hub where old heads and new blood mix, and every session has the potential to be something special. The Real Royal Oak Experience Let’s be real—this place is raw. The ground is rough, the air is sometimes questionable, and you’re bound to run into some characters who don’t care about skating. But that’s what makes it what it is. It’s not a sanitized, polished plaza—it’s a real, unfiltered London skatepark. If you’re in town, you gotta hit Royal Oak. Bring your best pop and soak in one of the most iconic skate spots in the city. And if you stick around long enough, maybe you’ll end up in a clip that adds to its legacy.Visit Royal Oak skatepark

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Capturing Emotion: Rúben Claudino at the PUSH Skate Festival

When One Door Closes, a Window Opens The perfect photograph is the one that conveys emotion When one door Closes, a window opens. Fifteen years ago, he suffered an injury that prevented him from skating. Not wanting to stay home, he picked up his father's camera and started taking pictures. One event led to another, then came photography studies, and soon, he established himself as a professional. For Rúben Claudino, the perfect photograph is one that conveys emotion, something far beyond the technique of both the photographer and the subject. He will be present at the PUSH Skate Festival. Skater Pedro CastanheiraHow did your passion for photography begin, and how do you think this field has evolved in recent years?
I was a skater, but after getting injured, I didn’t want to be left out of the group. So, I picked up my father’s camera and started taking pictures. I instantly fell in love with it. That was 15 years ago. Then, when I had the opportunity to photograph an event, I realized that skate photography was what I wanted to do for a living. I studied photography at ArCo, and today I work for the brand Ementa. Photography has gone through a 'crash' with the rise of video. There are more photographers now, and we also need to adapt more quickly to new techniques. However, I still like to capture the surrounding atmosphere as well. Skateboarding today is also more technical. Photographers and videographers have been working more closely together, and there’s an increasing openness in the scene. We help skaters connect with more brands, and with more photographers, we can expand skate culture. Skater Gabriel RibeiroWhat makes a perfect photograph?
It's one that not only showcases the technical level of a trick but also evokes emotion. I want to look at a photo 10 years from now and remember my connection with that skateboarder, where the photo was taken, and the whole story behind that moment. Skater Madu TeixeiraWhat’s your opinion on the PUSH Skate Festival?
 I’m super excited! I’ve been waiting for an event like this for a long time. In the past, there was something similar organized by Surge magazine, but I feel like Portuguese skateboarding has become very fragmented in recent years. This festival will be important for bringing the community back together and helping to grow the culture. I’m really looking forward to it!Skater Pedro CastanheiraSkater Tiago SarreiraVisit Ruben Claudino on instagram

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Gabriel Tavares: 27 Years Behind the Lens, Capturing the Soul of Skateboarding

From Law School to Skate Photography, Gabriel Tavares Reflects on Passion, Persistence, and the Changing Landscape of the Industry This is my advice: always have a Plan BHe studied Law, but his passion for skateboarding and photography has taken him on a journey of over 25 years, filled with bruised legs that symbolize the joy of capturing the art in every trick. He does it for the love of it. “I spend more than I earn, but I don’t mind,” he says. However, for this reason, he advises all his colleagues to have "a Plan B" because the market is hugely different today. Gabriel Tavares, 49 years old, from Pontinha, on the outskirts of Lisbon, will be at PUSH, an event he hopes will bring people together: “Skateboarding in Portugal is very divided. We need to unite.”Skater Jiri BulinSkater Gil Dias What are the biggest differences between when you started photography and today?
 I’ve been a photographer for 27 years. I’ve always made a living from photography, but not just from skateboarding. I’ve been deeply connected to the music world for a long time, especially hip-hop. Back then, there was no internet to watch tutorials on how to use a flash, it was all trial and error. But it was expensive because we used film. Nowadays, you learn from every photo, which is a huge difference. You can instantly go on YouTube to figure out how to work with a flash. And today, even if you can’t afford the latest gear and can only buy a 10-year-old model, you can still have professional-level equipment. You can get a kit for much less money than before. I’m self-taught, I studied Law, but I never studied photography. Skater Ricardo FonsecaSkater NandoSkater Keanu SchwedtHow should a photographer position themselves in such a competitive market today?
Photographing skateboarding is much more than shooting any other sport, it has an inherent artistic component. You need to understand the skater’s body language; that’s what will make your work stand out. My daughter jokes that I’m always on the ground and always dressed in black, but it’s because I’m trying to capture the best angle and anticipate what the skater is going to do. Nowadays, skaters are at a much higher level, and you have to work much harder to stand out. Also, the skateboard publication market has changed a lot in recent years. There used to be around ten major magazines worldwide; today, there’s only one - Thrasher. And now, there are about 300 world-class photographers. This drive prices down. That’s why I always tell younger people: have a Plan B, C, or D. But be as persistent as possible because only with high quality will your work be noticed. I’ve never made a living from skate photography. I spend more than I earn, but I do it because I love it. I photograph both 46-year-old skaters and incredibly talented 10- or 11-year-old kids. And that has been my role in skateboarding: giving advice to newcomers, not just in skateboarding but also in photography.Skater Diogo Filipe Skater Diogo FilipeWhat is your opinion on the Push Skate Festival?
It’s essential, it’s fundamental, and it’s long overdue. We need an event that gets people talking to each other, that unites this huge community. It’s incredible how an Olympic sport has so many divisions in Portugal. Let’s hope something positive comes out of this because we can’t stay stuck with a small-minded, territorial mentality. Skateboarding belongs to everyone and is for everyone.Skater LuisSkater  Blake JohnsonVisit Gabi on Instagram

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Joana Melo: Capturing the Rise of Women in Skateboarding Through Photography

How the Lack of Female Representation in Skateboarding Led Joana Melo to Create Betesga Skate Mag I became a photographer to give visibility to women in skateboarding. The lack of female representation was the trigger that led her to create a magazine entirely dedicated to female skaters. A year later, some results are already visible. Here’s Joana Melo, publisher and photographer. Skater Agatha AlencarWhat led you to become a photographer? The lack of representation of women in skateboarding and photography. I started street skating in 2019 at 18 years old, and three years later, I began taking photos. I noticed that almost all the images were of men, and photographers had very few pictures of women each one had maybe three or four shots, often of the same skater. So, I founded Betesga Skate Mag, first on Instagram and then in March 2023 as a platform exclusively for female skateboarding. Since there wasn’t much available content, we had to start creating it ourselves. Fortunately, more men photographers are now capturing female skaters, and I believe we have also opened doors with brands for many of them. On a personal level, after learning and experimenting, I think I have developed my own style. Skater Margarida CepedaIs it different to photograph a male and a female skater? Yes, it is. With female skaters, I think there’s a certain delicacy. You can more clearly see the difficulty they faced in executing a trick. Capturing that struggle adds depth to the picture. Skater Gabriella SantanaSkater Valentina PetricWhat is your opinion about the PUSH Festival? It’s a great initiative. This was missing in Portugal. I was really happy because, for the first time, I was referred to as a photographer. It’s a recognition of our work, and at the same time, it’s a step toward changing the language itself, people usually say the skater in a masculine form, but we want to show that skateboarding is universal.Skater Cote RojasSkater Fabiana SantosVisit Instagram Joana Melo

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Rogério Venâncio - The beauty of reproducing simplicity

Through the Lens of Skateboarding: Rogério Venâncio on Photography, Culture, and the PUSH Skate FestivalHe had a master from whom he bought an old camera. Pedro Raimundo, photographer and director of the skate magazine Surge, is his inspiration, but the rest of the journey was his own. Rogério Venâncio, owner of 4Culture shop in Leiria, Portugal, talks about what he loves most about the art and the importance of an event like the PUSH Skate Festival. Skater Ivan MeloSkater João TeixeiraWhat drove you to become a photographer? I’ve always loved photography, especially the photos in skate magazines like Surge, which have dazzled me since I was a boy. I met Pedro Raimundo (director of Surge magazine), who is an inspiration to me. Years later, I bought an old camera from him, and that’s when I finally started taking pictures on a regular basis. Unfortunately, the camera didn’t come with instructions from Pedro [he laughs], so I had to ask him for advice. Skater João LourençoWhat’s the best part about skateboarding photography? It’s about capturing simplicity. We don’t need a great trick to get a great photo - we just need to understand skateboarding because it’s like predicting what’s going to happen next. Knowing the skater also helps a lot; sometimes, just rolling around allows us to capture a really nice picture. Skater João LourençoWhat’s your opinion about the PUSH Skate Festival in Portugal? I’m excited, of course, because it will be held in my city, Leiria. It’s great for all the kids to realize that skateboarding isn’t just about tricks - it’s much more than that. It’s about culture and the many people involved in it. This is a massive initiative because it will bring together people from North to South, and since it’s not a competition, it will be a great opportunity to talk about skateboarding and have fun with people we relate to.Skater Tomás LopesSkater Pedro NevesCheck out Rogério Venâncio on Instagram

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